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bartist
Posted: Sun Sep 16, 2012 12:08 pm Reply with quote
Joined: 27 Apr 2010 Posts: 6961 Location: Black Hills
grace wrote:
Not to keep beating the "movies I plan to see" drum, but I saw that John Dies at the End was picked up at the TIFF. Paul Giamatti is one of the mains, and the plot sounds up my alley - a couple of quasi-slackers trying to save the world from a stealth invasion.


I'm there - and "quasi-slackers trying to save the world from a stealth invasion" seems to be some kind of subgenre these days. And I plan to rent "Bernie," which you mentioned at the other, quieter, thread.

I love that title. Hope it's not a spoiler. Very Happy

Edit: Directed by Don Coscarelli, who did Bubba Ho-Tep. The synop I saw described Giamatti's role as small, which somewhat tones down my enthusiasm.

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Befade
Posted: Sun Sep 16, 2012 4:31 pm Reply with quote
Joined: 20 May 2004 Posts: 3784 Location: AZ
Grace.........what a story!! Wish I'd been there. He admits to having a big ego.......and it is a fascinating book.

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grace
Posted: Sun Sep 16, 2012 5:50 pm Reply with quote
Joined: 11 Nov 2005 Posts: 3215
bartist wrote:
Edit: The synop I saw described Giamatti's role as small, which somewhat tones down my enthusiasm.

You know, you're right. I read this synopsis -- It's a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can't. -- and for some reason thought Arnie, Giamatti's character, was one of the slackers. The slackers actually are, for those who can read, John and David. Wishful thinking on my part, probably. I might check it out anyway, depends what else is playing when it comes around.

Befade, thanks for the rec on the Langella book. I read up on it, and it sounds quite juicy; I didn't think of Langella and Montgomery Clift as being in the same time frame at all, for one thing. (Juicy in the conventional sense, too, of course, the Clift mention just caught my eye.)
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grace
Posted: Sun Sep 16, 2012 5:58 pm Reply with quote
Joined: 11 Nov 2005 Posts: 3215
inla, thank you so much for the recommendation via roommate re The Intouchables. Saw it today; and while the story was a little formulaic, the main characters were great fun to watch -- actually, all of them were, but the mains carried the flick -- and in the end it was ... maybe calling it uplifting is overkill, but I walked out smiling. Without your mention, I would likely have passed it by, and I am glad that I did not.
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inlareviewer
Posted: Mon Sep 17, 2012 2:29 pm Reply with quote
Joined: 05 Jul 2004 Posts: 1949 Location: Lawrence, KS
grace, my pleasure, so glad you enjoyed it. Hopefully the annual deluge of screener DiViDs will resume this autumn-to-winter, for it's doubtful I'll manage to see it in the cinematechque before it vanishes, but will try, since it sounds quite my cuppa.

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inlareviewer
Posted: Mon Sep 17, 2012 2:35 pm Reply with quote
Joined: 05 Jul 2004 Posts: 1949 Location: Lawrence, KS
gromit wrote:
Turin Horse is good, bleak, cold ...

I reviewed it a couple months ago:
http://www.thirdeyefilm.com/phpBB2/viewtopic.php?p=227039#227039

Thanks ever so. Was already interested, so will keep a lookout for it, preferably with my electric fan plugged in.

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billyweeds
Posted: Mon Sep 17, 2012 8:55 pm Reply with quote
Joined: 20 May 2004 Posts: 20618 Location: New York City
The Master is a strange, strange movie. Can't say I liked it, but that's sort of what it's after. It's deliberately alienating. The acting is strong and individual scenes of "processing" people into a cult are fascinating, but the overall effect is just not very entertaining or enlightening.

P.S. Just read the review by Marc. Nothing to add. His review is spot on, not least in his appreciation of the two lead performances, showy as hell, actory beyond description, but undeniably brilliant.
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Befade
Posted: Mon Sep 17, 2012 11:52 pm Reply with quote
Joined: 20 May 2004 Posts: 3784 Location: AZ
I've been waiting anxiously for the screen return of Joaquin Phoenix.

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billyweeds
Posted: Tue Sep 18, 2012 5:12 am Reply with quote
Joined: 20 May 2004 Posts: 20618 Location: New York City
Befade wrote:
I've been waiting anxiously for the screen return of Joaquin Phoenix.


He does not disappoint, although I prefer Phoenix in his less "actory," more comedic performances. My two favorites are his relatively unappreciated turns in 8MM and Signs.
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billyweeds
Posted: Tue Sep 18, 2012 5:38 am Reply with quote
Joined: 20 May 2004 Posts: 20618 Location: New York City
The morning after, I feel more negative about The Master than I did coming out of the theater. It's easy to be snake-oiled into thinking it's a better movie than it is because of weird, creepy scenes showing cultish activity and other scenes between Hoffman and Phoenix which show two skilled actors showing off their skills. It's later (like this morning) that one realizes there's even less there there than one originally suspected. As some people know, Boogie Nights is one of my all-time top ten movies. But IMO P.T. Anderson has gone somewhat steadily downhill from there.

On the other hand, Margaret is growing in my regard 24 hours later. It's a truly great film, one that should have won Oscars for Kenneth Lonergan and Anna Paquin and nominations for others and secured Kenneth Lonergan a permanent place in the cinema pantheon. Instead the buzz goes to the likes of The Master??? Yuck.

Looooove Marc's comparison of Anderson's age with that of F.W. Murnau. Wunderkind? I. Don't. Think. So.
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bartist
Posted: Tue Sep 18, 2012 8:37 am Reply with quote
Joined: 27 Apr 2010 Posts: 6961 Location: Black Hills
Quote:
He does not disappoint, although I prefer Phoenix in his less "actory," more comedic performances. My two favorites are his relatively unappreciated turns in 8MM and Signs.


Word. Less comedic JP role I liked - guilt-ridden father in Reservation Rd.

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gromit
Posted: Tue Sep 18, 2012 9:13 am Reply with quote
Joined: 31 Aug 2004 Posts: 9016 Location: Shanghai
Of course Margaret's messy history and delayed release worked against it.

I keep forgetting to check if the Blu Ray here indeed has the director's cut as an SD extra. I suspect not, though the packaging says it does. Actually I did try to check once, just not at a shop which actually has the BR.


Last edited by gromit on Tue Mar 19, 2013 11:52 pm; edited 1 time in total

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marantzo
Posted: Tue Sep 18, 2012 11:09 am Reply with quote
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Punch-Drunk Love was the only Anderson movie I've really liked. Boogie Nights was a mish-mash with the odd good scene and many silly scenes. Magnolia was far more well done, but didn't grab me. A few of impressive scenes. He has a tendency to lay it on with a trowel.

Punch-Drunk Love is a movie that he didn't make a mess of. In fact he did use things he had tried in the previous films and they were a good fit, not over-done. Besides, the movie was a good length, not like the previous wanderings of the others. Very good and a very original one. Strangely the acting was tops except for P.S. Hoffman. His role was unneeded and a little stupid so it wasn't entirely his fault.
Befade
Posted: Tue Sep 18, 2012 4:58 pm Reply with quote
Joined: 20 May 2004 Posts: 3784 Location: AZ
Boogie Nights is one of my all time favorite movies. I still think the tone of Margaret was unrelentingly strident........and for me that made it off-balance
and unsettling. The mother was played by Lonergan's wife.

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Joe Vitus
Posted: Tue Sep 18, 2012 7:41 pm Reply with quote
Joined: 20 May 2004 Posts: 14498 Location: Houston
Can't manage to love Boogie Nights. Am impressed by many things in it, and I like it more than I once did, but that's as far as it goes.

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